Media Tech Tonic: Seminars for designers, artists, and media makers held at MassArt

The next speaker in our Fall of 2009 series will be Joseph Auner. The lecture will take place at MassArt on Wednesday, December 2, 2009 and is free and open to the public. Please RSVP for this event (details on how to do that below) if you are not a DMI student.

Abstract

Focusing on the use of sampled voices in the genre known as instrumental hip hop, this presentation considers the broader implications of the ubiquity of recorded voices throughout our musical soundscape and in our everyday lives. In reference to music by Prefuse 73, DJ Shadow, Blockhead, and the Books, and some of the software used to create, I will consider sampled voices from the perspective of writings on ubiquitous computing and ideas of the posthuman. In some examples, as I will discuss, the vocal samples are staged to produce a sense of strangeness and disorientation long associated with the recorded voice, notable even in the critical vocabulary developed to describe it: uncanny, simulacral, schizophonic, acousmatic. Yet still stranger are the many examples of music in which the remarkable act of speaking through borrowed voices is presented as absolutely unremarkable. If the experience of recorded voices as uncanny, as ‘dead’ or disembodied, depends on the belief that they once had been connected with bodies of flesh and blood, the demystified, disenchanted voices that increasingly surround us—and that perhaps are already emerging from us–are treated as if they had never been alive.

Event Details
Free and and open to the public.
RSVP: Please let us know if you’re planning to attend this event.
Location: MassArt, 621 Huntington Avenue, Boston
Room: Tower Building, Room 312 (3rd floor, through Computer Arts Center, at end of the hall)
Date: Wednesday, December 2, 2009
Time: 6:30 to 8:30 P.M.
Directions: By car | By T | Campus map (PDF)
Parking Information: at the end of this post

Speaker Biography

Joseph Auner is Chair and Professor of Music at Tufts University. He is a musicologist whose research interests include the Second Viennese School, music and technology, turn-of-the century Vienna, Weimar Berlin, and 19th and 20th-Century Music. Auner is the author of A Schoenberg Reader (Yale), Cambridge Companion to Schoenberg, with Jennifer Shaw, Postmodern Music/Postmodern Thought, with Judith Lochhead (Routledge). He was formerly an editor-in-chief for The Journal of the American Musicological Society. He has received fellowships and grants from Humboldt, Getty Center for the History of Arts and Humanities, and National Endowment for the Humanities. He earned a B.A. from Colorado College and M.A./Ph.D in the History and Theory of Music from University of Chicago.

Parking and Driving Directions
Parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm. If you’re driving, take a close look at a Google Map of the area, finding the Ward Street Lot can be tricky the first time.

If you’re traveling west on Huntington Avenue from Downtown, as you pass the main campus on your right, take a left at the light at the Longwood Avenue intersection, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue from Bringham Circle, take a right at the light at the Longwood Avenue intersection, then a quick left at the stop sign and right on Ward Street. MassArt’s parking lot is short distance ahead on the left.

The gate should be open for this event. If it’s not, ring the emergency button on the guard house and security will answer. Tell them you’re here for Media Tech Tonic, they should have it on their list of events for this evening.

Tags: Music, Recording, Sampling, Sound, Voice

Update: The Location of this talk has been changed to room 406 in the Kennedy Building.

The next speaker in our Fall of 2009 series will be Margaret Livingstone. The lecture will take place at MassArt on Thursday, November 12, 2009 and is free and open to the public. Please RSVP for this event (details on how to do that below).

Abstract

Artists have been doing experiments on vision longer than neurobiologists. Some major works of art have provided insights as to how we see; some of these insights are so fundamental that they can be understood in terms of the underlying neurobiology. For example, artists have long realized that color and luminance can play independent roles in visual perception. Picasso said, “Colors are only symbols. Reality is to be found in luminance alone.” This observation has a parallel in the functional subdivision of our visual systems, where color and luminance are processed by the newer, primate-specific What system, and the older, colorblind, Where (or How) system. Many techniques developed over the centuries by artists can be understood in terms of the parallel organization of our visual systems. I will explore how the segregation of color and luminance processing are the basis for why some Impressionist paintings seem to shimmer, why some op art paintings seem to move, some principles of Matisse’s use of color, and how the Impressionists painted “air”. Central and peripheral vision are distinct, and I will show how the differences in resolution across our visual field make the Mona Lisa’s smile elusive, and produce a dynamic illusion in Pointillist paintings, Chuck Close paintings, and photomosaics. I will explore how artists have intuited important features about how our brains extract relevant information about faces and objects, and I will discuss why learning disabilities may be associated with artistic talent.

Event Details
Free and and open to the public.
RSVP: Please let us know if you’re planning to attend this event.
Location: MassArt, 621 Huntington Avenue, Boston
Room: Kennedy Building, Room 406
Date: Thursday, November 12, 2009
Time: 6:30 to 8:30 P.M.
Directions: By car | By T | Campus map (PDF)
Parking Information: at the end of this post

Speaker Biography

Dr. Margaret Livingstone has worked in several different fields of neurobiology and has contributed significantly to them. She has explored the ways in which vision science can understand and inform the world of visual art and is the author of the popular book, Vision and Art: The Biology of Seeing, which has brought her acclaim in the art world as a scientist who can communicate with artists and art historians, with mutual benefit. Livingstone generated some important insights into the field, including a simple explanation for the elusive quality of the Mona Lisa’s smile (it is more visible to peripheral vision than to central vision) and the fact that Rembrandt, like a surprisingly large number of famous artists, was likely to have been stereoblind. As a scientist, She is best known for her work on visual processing. In collaboration with David Hubel she did groundbreaking work on the parallel processing of visual information. In 1984 they described a new subdivision in primate primary visual cortex involved in processing information about color, and described the anatomy and physiology of this previously unknown system. Livingstone went on to apply objective, quantitative mapping techniques to primary and extrastriate visual areas, revealing fundamental computational strategies used by the visual system in processing information. Her work has led to a deeper understanding of how we see color, motion, and depth, and how these processes are involved in generating percepts of objects as distinct from their background. She earned her Ph.D. from Harvard University in Neurobiology and is currently Professor of Neurobiology at the Harvard Medical School and Adjunct Professor in the Department of Cognitive and Neural Systems at Boston University.

Parking and Driving Directions
Parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm. If you’re driving, take a close look at a Google Map of the area, finding the Ward Street Lot can be tricky the first time.

If you’re traveling west on Huntington Avenue from Downtown, as you pass the main campus on your right, take a left at the light at the Longwood Avenue intersection, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue from Bringham Circle, take a right at the light at the Longwood Avenue intersection, then a quick left at the stop sign and right on Ward Street. MassArt’s parking lot is short distance ahead on the left.

The gate should be open for this event. If it’s not, ring the emergency button on the guard house and security will answer. Tell them you’re here for Media Tech Tonic, they should have it on their list of events for this evening.

Tags: Art, Biology, Color, Margaret Livingstone, Neuroscience, Perception, Vision

Our first speaker for the Fall of 2009 will be Ramesh Raskar, Associate Professor, MIT Media Lab, Camera Culture Group Leader and Co-Director of the Center for Future Storytelling. The title of his presentation is “Computational Photography – The Future Starts Now”. The lecture is free and open to the public.

Though revolutionary in many ways, digital photography is essentially electronically implemented film photography. By contrast, computational photography exploits plentiful low-cost computing and memory, new kinds of digitally enabled sensors, optics, probes, smart lighting, and communication to capture information far beyond just a simple set of pixels. It promises a richer, even a multilayered, visual experience that may include depth, fused photo-video representations, or multispectral imagery. Professor Raskar will discuss and demonstrate advances he is working on in the areas of generalized optics, sensors, illumination methods, processing, and display, and describe how computational photography will enable us to create images that break from traditional constraints to retain more fully our fondest and most important memories, to keep personalized records of our lives, and to extend both the archival and the artistic possibilities of photography.

Event Details
Free and and open to the public.
RSVP: Please let us know if you’re planning to attend this event.
Location: MassArt, 621 Huntington Avenue, Boston
Room: 312, Tower Building
Date: Tuesday, October 20, 2009
Time:6:30 p.m. to 8:30 p.m.
Directions: By car | By T | Campus map (PDF)
Parking Information: at the end of this post

Speaker Biography
Ramesh Raskar joined the Media Lab from Mitsubishi Electric Research Laboratories in 2008 as head of the Lab’s Camera Culture research group. He received his PhD from the University of North Carolina at Chapel Hill, where he introduced “Shader Lamps,” a novel method for seamlessly merging synthetic elements into the real world using projector-camera based spatial augmented reality. In 2004, Raskar received the TR100 Award from Technology Review, which recognizes top young innovators under the age of 35, and in 2003, the Global Indus Technovator Award, instituted at MIT to recognize the top 20 Indian technology innovators worldwide. In 2009, he was awarded a Sloan Research Fellowship. He holds 30 US patents and has received three Mitsubishi Electric Invention Awards. He is currently co-authoring a book on computational photography.

Parking and Driving Directions
Parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm. If you’re driving, take a close look at a Google Map of the area, finding the Ward Street Lot can be tricky the first time.

If you’re traveling west on Huntington Avenue from Downtown, as you pass the main campus on your right, take a left at the light at the Longwood Avenue intersection, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue from Bringham Circle, take a right at the light at the Longwood Avenue intersection, then a quick left and right and you’re on Ward Street. MassArt’s parking lot is short distance ahead on the left.

Tags: Computational, Media, Photography, Ramesh Raskar, Technology

After a summer hiatus, Media Tech Tonic will be back with a fall line-up. We’re currently in the process of confirming our speakers. Mark your calendar now, the dates for the Fall 2009 program are now carved in stone:

• Media Tech Tonic #10: Tuesday, October 20 (6:30 P.M. to 8:30 P.M.): Ramesh Raskar, Leader, Camera Culture Group, Co-Director, Center for the Future of Storytelling at MIT, “Computational Photography – The Future Starts Now”
• Media Tech Tonic #11: Thursday, November 12 (6:30 P.M. to 8:30 P.M.): Margaret Livingstone, Professor of Neurobiology, Harvard Medical School, author of Vision and Art: The Biology of Seeing
• Media Tech Tonic #12: Wednesday, December 2 (6:30 P.M. to 8:30 P.M.): Joseph Auner, Tufts University, “Losing Your Voice: Sampled Speech and Song from the Uncanny to the Unremarkable”

Stay tuned for more details, we’ve received very positive response regarding the Spring, 2009 line-up and we hope to continue bringing cutting-edge thinkers to MassArt.

Our next speaker in our Spring Speaker Series is Judith Donath, Director of the Sociable Media research group at the MIT Media Lab and a Faculty Fellow at Harvard’s Berkman Center for Internet and Society.

The Sociable Media Group investigates issues concerning society and identity in the technologically mediated world. Their emphasis is on design: they build experimental interfaces and installations that explore new forms of social interaction in the mediated world. The group currently has an exhibition at the MIT Museum called “Connections”; this talk will focus on three research areas featured in it:

• new interfaces for communication
• data portraits
• interactive art as social critique

Using examples from their body of work over the last 10 years, Judith Donath will discuss how we perceive and portray identity in the online world and how we construct privacy and public space.

Event Details:
Free and and open to the public, however, registration is required.
Location: MassArt, 621 Huntington Avenue, Boston
Room: Trustees Room, Tower Building (note different location this month)
Date: Wednesday, April 15, 2009
Time:6:30 p.m. to 9:30 p.m.
Directions: By car | By T | Campus map (PDF)
Parking Information: at the end of this post

Speaker Biography
Judith Donath is the director of the Sociable Media research group at the MIT Media Lab and a Faculty Fellow at Harvard’s Berkman Center for Internet and Society. Her work focuses on the social side of computing, and she is known internationally for pioneering research in social visualization, interface design, and computer mediated interaction. She created several of the early social applications for the web, including the first postcard service and the first interactive juried art show. Her work with the Sociable Media Group has been shown in Boston’s Institute for Contemporary Art, in several New York galleries and is now the subject of a major exhibition at the MIT Museum. Her current research focuses on creating expressive visualizations of social interactions and on building experimental environments that mix real and virtual experiences. She has a book in progress about how we signal identity in both mediated and face-to-face interactions. Dr. Donath received her doctoral and master’s degrees in Media Arts and Sciences from MIT, her bachelor’s degree in History from Yale University, and has worked professionally as a designer and builder of educational software and experimental media.

Parking and Driving Directions
Parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm. If you’re driving, take a close look at a Google Map of the area, finding the Ward Street Lot can be tricky the first time.

If you’re traveling west on Huntington Avenue from Downtown, as you pass the main campus on your right, take a left at the light at the Longwood Avenue intersection, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue from Bringham Circle, take a right at the light at the Longwood Avenue intersection, then a quick left and right and you’re on Ward Street. MassArt’s parking lot is short distance ahead on the left.

Tags: Connections, Exhibition, Judith Donath, MIT Media Lab, MIT Museum, Privacy, Public Space, Social Media, Socialble Media Group

Our next speaker in our Spring 2009 Speaker Series is writer and journalist Scott Kirser.

Abstract
Artists in every field who choose to use new tools, technologies, and methods of distribution almost inevitably encounter resistance from the “establishment.” Looking at the history of Hollywood (and viewing clips of movies made in the 19th, 20th, and 21st centuries), we’ll explore how cinematic innovators have run into this resistance, and often overcome it–transforming the movies as an art form and as a business. We’ll discuss some of the institutional and psychological reasons people often prefer to preserve the status quo rather than giving new ideas a hearing, and also discuss some of the challenges that the motion picture industry (and anyone who wants to tell stories with film/video) is grappling with today. What are the new forms and genres emerging today… what are the business models that support them… who is innovating and who is trying to hold on to the past?

Event Details:
Free and and open to the public, however, registration is required.
Location: MassArt, 621 Huntington Avenue, Boston
Room: Tower Building, Room 312 (through the Computer Arts Center, all the way at the end of the hall)
Date: Wednesday, March 25, 2009
Time: 6:30pm to 9:30pm
Directions: By car | By T | Campus map (PDF)
Parking Information: at the end of this post

Speaker Biography
Scott Kirsner is a journalist who writes about innovation, with a special focus on the ways that new technologies are changing the entertainment industry. He writes regularly for Variety and The Boston Globe, and has been a contributing writer for Fast Company, BusinessWeek, and Wired. He edits the blog CinemaTech, and is the author, most recently, of the book Fans, Friends & Followers, which explores the challenges of building an audience and supporting a creative career in the digital age. Earlier books include Inventing the Movies, a technological history of Hollywood, published in 2008, and The Future of Web Video: New Opportunities for Producers, Entrepreneurs, Media Companies and Advertisers, published in 2007. Scott’s writing has also appeared in the New York Times, The Hollywood Reporter, Salon, the San Jose Mercury News, and Newsweek, among other publications. Scott has been on panels at the Sundance Film Festival, the South by Southwest Film Festival, the Toronto International Film Festival, the Los Angeles Film Festival, Silverdocs, the Harvard Business School Entertainment and Media Conference, the NAB Futures Summit, and the IFP Filmmaker Conference.

Parking and Driving Directions
Parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm. If you’re driving, take a close look at a Google Map of the area, finding the Ward Street Lot can be tricky the first time.

If you’re traveling west on Huntington Avenue from Downtown, as you pass the main campus on your right, take a left at the light at the Longwood Avenue intersection, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue from Bringham Circle, take a right at the light at the Longwood Avenue intersection, then a quick left and right and you’re on Ward Street. MassArt’s parking lot is short distance ahead on the left.

Tags: Design, Entertainment, Innovation, Media, Movies, Scott Kirsner

A great mystery of academia is that design and storytelling are kept so unnaturally apart, taught in distantly separated university departments – that is if storytelling as an art form is even addressed at all. Storytelling and design are more than related, they are intertwined and complementary, reinforcing one another. This will be a storytelling workshop for designers who want to know how to tell stories to support design. Participants will learn to tell stories, apply storytelling to their design practice, and become reacquainted with the precious art that informs storytelling more than any other - the art of listening.

Download Handout (PDF)
 

Presenter

Kevin Brooks is a Researcher and Experience Designer for Motorola and a professional oral storyteller. At Motorola Kevin researches and designs new user interface technologies and expresses these technologies as connected user-centered experiences using a variety of media. As a writer and performing oral storyteller, Kevin tells personal tales from his urban childhood of the 60´s through to his present day parenthood. His stories for adults and family audiences resonate with humor and poignancy, and he has been a featured performer at many storytelling festivals, conferences and other venues. In 2006 he released a CD of his stories entitled Kiss of Summer. Kevin received his Ph.D. in Media Arts and Sciences from the MIT Media Lab, where his area of research was computational narrative and interactive cinema. Kevin has also studied engineering, computer science, creative writing and film production as an undergraduate, receiving a BS in Communications from Drexel University and an MA in Documentary Film from Stanford University. Kevin has several published papers and has given numerous workshops on storytelling and interactive story design for designers, engineers and storytellers alike. He is currently co-authoring a book entitled Storytelling for User Experience Design, anticipated end of 2009.

Event Details:

Free and and open to the public, however, registration is required.
Location: MassArt, 621 Huntington Avenue, Boston
Room: Tower Building, Room 312 (through the Computer Arts Center, all the way at the end of the hall)
Date: Wednesday, February 25, 2009
Time: 6:30pm to 9:30pm
Directions: By car | By T | Campus map (PDF)

Additional Parking and Driving Directions

Parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm. If you’re driving, take a close look at a Google Map of the area, finding the Ward Street Lot can be tricky the first time.

If you’re traveling west on Huntington Avenue from Downtown, as you pass the main campus on your right, take a left at the light at the Longwood Avenue intersection, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue from Bringham Circle, take a right at the light at the Longwood Avenue intersection, then a quick left and right and you’re on Ward Street. MassArt’s parking lot is short distance ahead on the left.

Tags: Design, Dynamic Media Institute, Interface Design, Kevin Brooks, MassArt, Motorola Research, Story, Storytelling

Our presenter this month is Diane Darling, an experienced networking consultant. She will share her insights on how creative professionals that work independently can hone and improve their networking skills. She’ll cover a range of of both inter-personal and and web-based tools that she uses herself.

Everyone can network, and in today’s competitive marketplace, it has become an essential competency for everyone. One challenge in becoming more effective in networking is coming up with your own style and learning how to use the best of both F2F (face to face) and web-based tools. This session is intended for artists, designers, and other creative professionals as well as designers who are working on tools to either map social interactions or help bring people together in meaningful ways.

Free and and open to the public.
Location: MassArt, 621 Huntington Avenue, Boston
Room: Alumni Room, 11th Floor Tower Building
Date: Wednesday, November 19, 2008
Time: 6:30pm to 8:30pm
Directions: By car | By T | Campus map (PDF)
RSVP: not required for this event

Additional Parking and Driving Directions

Parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm. If you’re driving, take a close look at a Google Map of the area, finding the Ward Street Lot can be tricky the first time.

If you’re traveling west on Huntington Avenue from Downtown, as you pass the main campus on your right, take a left at the light at the Longwood Avenue intersection, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue from Bringham Circle, take a right at the light at the Longwood Avenue intersection, then a quick left and right and you’re on Ward Street. MassArt’s parking lot is short distance ahead on the left.

Photo credit: “My social network is most intelligent than Google” by luc legay

Tags: Networking, New Media, Presentation, social networking

A presentation and Q&A with Joseph Paradiso who will talk about his work on sensor networks and how they can augment and mediate human experience, interaction, and perception. Joe Paradiso is Director of the Responsive Environments Group at the MIT Media Laboratory and also co-directs the Things That Think Consortium exploring the extreme fringe of embedded computation, communication, and sensing.

Location: MassArt, 621 Huntington Avenue, Boston
Room: Alumni Room, 11th Floor Tower Building
Date: Wednesday, October 15, 2008
Time: 6:30pm to 8:30pm
Directions: By car | By T | Campus map (PDF)
Access: Free and open to the public
RSVP: Please REGISTER if you plan to attend using our contact form, we need to have an idea of how many people to expect
Note: If you’re driving, take a look at the additional driving directions at the end of this post.

Abstract

We are witnessing the dawn of a ubiquitous networked sensor infrastructure, leveraged by the increasingly low cost of microelectronics, sensors, and wireless technologies. As these now independent application-silo systems begin to converge through common standards, the world becomes covered by a seamless electronic “nervous system,” that extends across things, places, and people. One of the biggest challenges facing researchers is how to appropriately interface humans with this wealth of real-time information. Immediate applications of such an augmented awareness are readily evident in areas like supply chain and logistics management, urban optimization (e.g., transportation and energy), factory & plant operation, etc. Taking a broad perspective, however, this transition is profound - one’s interface into this environment can be envisioned as an extension of human perception, augmenting our five senses well beyond the canonical “here and now” and redefining the meaning of presence. 

One way to connect people to such information is through online virtual world browsers, where sensed phenomena and features manifest as metaphoric constructs and animations, and where a user can easily shift the scale, location, and granularity of represented data. Similarly, a user in virtual space can “appear” through devices and actuators in the real world.  We term the translation of sensed phenomena into the virtual space and the manifestation of virtual phenomena into the real world “Cross Reality,” where sensor/actuator networks tunnel information across the real/virtual divide. Going beyond Cross Reality is “Scalable Virtuality,” where the manifestation of virtual phenomena in the real world becomes a function of available and appropriate information portals, and the representation of real-world data in virtual space is dependent on dynamic privacy settings and local context.  

Joseph Paradiso’s talk will overview recent work in embedded sensing by him and his students in the Responsive Environments Group at the MIT Media Lab that address this broad theme. The technical areas that he will touch on include high-bandwidth, wireless multimodal sensor clusters, massively distributed, ultra-low-power” featherweight” sensor nodes, parasitic energy scavenging and dynamic power management techniques.  The impact of these technologies will be illustrated through several application examples involving cross-reality, affect-driven media queires, controllers for interactive media, active RFID for logistics management, biomotion capture, smart objects, human-computer interfaces and instrumented social interaction.

Biography

Joseph Paradiso is the Sony Career Development Associate Professor of Media Arts and Sciences at the MIT Media Laboratory, where he directs the Responsive Environments group, which explores how sensor networks augment and mediate human experience, interaction and perception, and co-directs the Things That Think Consortium, a group of industry sponsors and Media Lab researchers who explore the extreme fringe of embedded computation, communication, and sensing.  After receiving a BS in Electrical Engineering and Physics summa cum laude from Tufts University in 1977, Paradiso became a K.T. Compton fellow at the Lab for Nuclear Science at MIT, receiving his PhD in physics there in 1981 for research conducted at CERN in Geneva.  After two years developing precision drift chambers at the Lab for High Energy Physics at ETH in Zurich, he joined the Draper Laboratory in Cambridge, MA in 1984, where his research encompassed spacecraft control systems, image processing algorithms, underwater sonar, and precision alignment sensors for large high-energy physics detectors. He joined the Media Lab in 1994, where his current research interests include embedded sensing systems and sensor networks, wearable and body sensor networks, energy harvesting and power management for embedded sensors, ubiquitous and pervasive computing, localization systems, passive and RFID sensor architectures, human-computer interfaces, and interactive media. His honors include the 2000 Discover Magazine Award for Technological Innovation, and he has authored 200 articles and technical reports on topics ranging from computer music to power scavenging.

Additional Parking and Driving Directions

Parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm. If you’re driving, take a close look at a Google Map of the area, finding the Ward Street Lot can be tricky the first time.

If you’re traveling west on Huntington Avenue from Downtown, as you pass the main campus on your right, take a left at the light at the Longwood Avenue intersection, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue from Bringham Circle, take a right at the light at the Longwood Avenue intersection, then a quick left and right and you’re on Ward Street. MassArt’s parking lot is short distance ahead on the left.

Tags: Art, compuiting, Design, joe paradiso, MIT Media Lab, research, responsive environments, sensors, Technology, ubiquitous computing

For our next meeting, Mike Golembewski will discuss the potential of technology as a powerful tool for artists and designers.  Too often the use of creative technologies becomes centered around the use of commercial software and hardware packages designed for workflow efficiency, rather than for free exploration.  Mike will discuss how emerging technologies can become tools for the expression of high concept and real emotion, rather than just tools for creative production.

He will present some contemporary projects that he feels makes excellent use of technology as an expressive medium, and use this presentation to begin an open discussion of the roles that technology might play in creative practice.  Mike will be showing work from artists, scientists, and researchers at Yale, Goldsmiths University, Imperial College, the Royal College of Art, Troika UK, and his own scanner photography project.

Mike Golembewski is a practicing artist and interaction designer and currently visiting faculty with the Dynamic Media Institute at Massachusetts College of Art and Design.  His work explores the ways in which artists use emerging technologies, and has been widely published and exhibited internationally.

Join us for this very exciting meeting. We would appreciate an RSVP using our contact form so we have an idea on how many people to expect, but RSVP is not required.

Location: Alumni Room, 11th Floor Tower Building, Massaschusetts College of Art & Design (driving directions | T directions | campus map PDF)

Date: Wednesday, September 24th. Please note that this month we’re meeting on the fourth Wednesday instead of the third Wednesday.

Time: 6:30pm to 8:30pm or so

Note to drivers: parking will be available to attendees who drive in the Ward Street lot if you enter the lot between 5:45pm and 6:45pm.

If you’re traveling west on Huntington Avenue, as you pass the main campus on your right, take a left at the light onto Longwood Avenue, crossing over the trolley tracks. Go straight to the stop sign and turn left, then immediately turn right onto Ward Street. MassArt’s parking lot is short distance ahead on the left.

If you’re traveling east on Huntington Avenue, right at the light onto Longwood Avenue, then a quick left and right and you’re on Ward Street. MassArt’s parking lot is short distance ahead on the left.

Tags: Art, Creative Production, Design, Emotion, Expression, Imaging, Media, Photography, Technology